The Solicitude. Photographic interpolation of projected 16mm film, “Nippon News No. 3,” 1940, digital archival paper, acrylic, encaustic wax. 2019.

Your Prompt Recovery. Photographic interpolation of projected 16mm film, “Nippon News No. 1,” 1940, digital archival paper, acrylic, encaustic wax. 2019.

People Still Do Have Good Times. Photographic interpolation of projected 16mm film, “Nippon News No. 1,” 1940, digital archival paper, acrylic, encaustic wax. 2019.

Something Which Will Shift and Pass. Photographic interpolation of projected 16mm film, “Nippon News No. 1,” 1940, digital archival paper, acrylic, encaustic wax. 2019.

After the First Heady Hours. Photographic interpolation of projected 16mm film, “Nippon News No. 3,” 1940, digital archival paper, acrylic, encaustic wax. 2019.

Bear in Mind That I am a Soldier. Photographic interpolation of projected 16mm film, “”Ác-mộng Mười Năm, 1954-1964″ (Nightmare Ten Years Long, 1954-1964), digital archival paper, acrylic, encaustic wax. 2019.

These Secret Traitors Worked Quietly. Photographic interpolation of projected 16mm film, “Ác-mộng Mười Năm, 1954-1964” (Nightmare Ten Years Long, 1954-1964), digital archival paper, acrylic, encaustic wax. 2019.

This Many-Pronged Attack. Photographic interpolation of projected 16mm film, “Viet-Nam thoi su (1965-01-21) No. 85, 65/3, digital archival paper, acrylic, encaustic wax. 2019.

Into the Fold of the True, installation view, Payne Gallery, 2019.

Into the Fold of the True, installation view, Slought Gallery, Philadelphia, PA 2019.

These Are Clear Proofs, 2019. Photographic interpolation and audio of projected 16mm films, “Ufa-ton-woche No. 204,” August 1, 1934, “In New York, the 7th infantry regiment practices with tear gas bombs and machine guns against Communist strikes,” and “Ufa-ton-woche No. 195,” May 30, 1934, “25,000 German-Americans protest against the boycott of German goods: the enormous rally in Madison Square Garden in New York.” Video Installation, Slought Gallery, 2019, Philadelphia PA.